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  • Writer's pictureRachel Sherlock

Reading Your Way to the 2017 Toronto International Film Festival: Part One, Fiction

Updated: Sep 26, 2018

As summer winds down, the world of film is gearing up for the excitement and buzz of the Toronto International Film Festival. The festival, which takes place from September 7th-17th, is one of the most prestigious events of its kind in the world. It is expected to attract over 350,000 film buffs, who will vote for the festival’s only prize, the People’s Choice Award.

This year’s lineup of almost 400 films, includes a fantastic number of book-to-screen adaptations. I’ve sifted through this prodigious lineup to create a reading list of the many books behind this year’s TIFF films. It’s been a great year for adaptations with an enormous range of genre, style, and topic, from Angelina Jolie’s highly anticipated film First They Killed My Father based on the memoirs of Louise Ung, to Bornila Chatterjee’s The Hungry, a modern Shakespeare retelling set in New Delhi. Indeed, so vast was the number of adaptations, that I divided the list in two. This first part will focus on the works of fiction, whether novel, short story, or play, that have served as a basis for films in this year’s TIFF lineup, while the second part, will look at the works of nonfiction that were adapted. In the run up to the festival more films are expected to be added to the schedule, so while I attempted to be comprehensive in this list, there may be some that I have missed. If you spot any omissions please do let me know in the comments below.

Alias Grace by Margaret Atwood

This first entry on the list is not, in fact, being made into a film, but it's premiering as part of the festival’s Primetime programme, which spotlights the best of upcoming television series. Alias Grace is based on Margaret Atwood’s Giller Prize-winning novel of the same name. With the enormous success this year of the TV adaptation of Atwood’s The Handmaid’s Tale, it’s easy to see there being a lot of excitement about this release. As with The Handmaid’s Tale, Alias Grace explores the ways society restricts women’s roles and choices, but in this case it is through the lens of historical fiction. Atwood was inspired by the real story of Grace Marks, a young Irish servant who was accused of murdering her employer, Thomas Kinnear, and his housekeeper. The resulting story elegantly interweaves perspectives and narratives to present an unsettling mystery that remains tantalisingly ambiguous.

Mudbound by Hillary Jordan

Hillary Jordan’s simmering novel centres on the racial tension of a small community living on the Mississippi Delta post World War II. Jordan explores the uncomfortable change of

people moving from wartime to peace, and the shifting societal norms that come with that. Director Dee Rees’ adaptation includes an impressive ensemble cast, well-chosen for this intense and emotional portrayal of a turbulent time in American history.

On Chesil Beach by Ian McEwan

This is a big year for adaptations of Ian McEwan’s work; this is the first of two entries on this list. Previously, McEwan’s work found incredible success with the adaptation of Atonement. Like that story, his novella On Chesil Beach centres on characters who must live with the consequences and missed opportunities that a single moment of misunderstanding can bring. The story focuses on a couple on their wedding night, as they try to consummate their relationship. The story has a sense of horror to it, as the young couple watch their cherished relationship crumble, and their expectations for life alter dramatically.

The Leisure Seeker by Michael Zadoorian

Michael Zadoorian’s joyous, yet bittersweet novel, follows an elderly couple who set out on one last road trip, as cancer and Alzheimer's loom on their horizon. This is the English language debut for Italian director Paolo Virzì with his film of Zadoorian’s novel. Acting stalwarts Helen Mirren and Donald Sutherland play the lovable and loving couple, who, like the characters in the novel, overflow with humour and warmth.

Breath by Tim Winton

For his directorial debut, actor Simon Baker has taken on the novel Breath, by Tim Winton, one of Australia’s most beloved authors. Breath is set in a small Western Australian village where two adolescent boys find themselves inexorably drawn to the thrill of danger on the ocean waves. Throughout the book, Winton deftly conjures up the crystalised moments of joy and terror in his descriptions of surfing. These are key to the book’s core, which explores the desire to escape the fear of living by embracing the fear of dying.

Journey's End by R. C. Sherriff

Amidst the many anniversaries of the First World War, it is a poignant and fitting time for a film adaptation of R. C. Sherriff’s iconic play, Journey’s End. Giving the audience a glimpse into the lives of soldiers in the trenches, Sherriff’s play is famous for unrelenting tension. The story is set over four days in March 1918, in the run-up to the real-life events of Operation Michael, a failed operation which led soldiers back over the wilderness of the Somme. George Bernard Shaw hailed the play as 'useful [corrective] to the romantic conception of war,’ and it remains a classic of anti-war storytelling.

The Breadwinner by Deborah Ellis

Cartoon Saloon, the highly acclaimed Irish animation studio, has garnered much praise for their distinctive and stunning style of hand-drawn animation. Their previous two animated features, The Secret of Kells and The Song of the Sea, both earned Academy Award nominations. Now, for their third feature film, they have adapted Deborah Ellis’ award-winning children’s novel The Breadwinner, which follows a young Afghan girl, Parvana, who must disguise herself as a boy in order to provide for her family. A blend political of commentary and heartfelt narrative, The Breadwinner is a thoroughly captivating story.

Disobedience by Naomi Alderman

Naomi Alderman’s novel Disobedience tackles a range of controversial topics without ever descending to mere controversial topics without ever descending to mere culture-war drama. It follows Ronit, a wisecracking, non-practicing Orthodox Jew who must return home for the funeral of her father, a revered rabbi. While home, Ronit begins an affair with her cousin’s

wife. Alderman carefully balances respect for personal liberty and religious conviction. The film adaptation is headed by Chilean director Sebastián Lelio, making it the second of two films of his to make this year’s lineup, the first being A Fantastic Woman.

A Private Affair by Beppe Fenoglio

Regarded as one of the greatest works of 20th-century Italian literature, Beppe Fenoglio’s World War II novel, A Private Affair, is about Milton, a young man who joins the partisan militia after the Italian invasion of the Wehrmacht. When he returns home after the war, he looks for his sweetheart Fulvia and his friend, Giorgio, also a partisan. The film, which is titled Rainbow - ­A Private Affair and only loosely based on Fenoglio’s novel, is potentially the final film of the Taviani brothers, two of Italy’s most illustrious filmmakers.

Plonger by Christophe Ono-dit-Biot

It seems incredible that there has not yet been an English translation of Christophe Ono-dit-Biot’s highly acclaimed novel, Plonger, (To Dive) which won the 2013 Grand prix du roman de l'Académie française. For the sake of comprehensiveness and for those interested, we’ve included the French language edition of Plonger. This story, in both the novel and the film, takes a variety of perspectives on the main character Paz, as she leaves her family to find herself.

Call Me by Your Name by Andre Aciman

Italian director Luca Guadagnino is an ideal fit for the adaptation of André Aciman’s erotically charged novel Call Me By Your Name. Aciman’s story follows Elio, a precocious 17-year-old Jewish boy, who lives in Italy with his parents. When Oliver, a 24-year-old scholar who comes to stay with them for six weeks, Elio finds himself drawn to this free and careless visitor, in a joyous romance of first love and sexual awakening.

The Little Girl Who Was Too Fond of Matches by Gaetan Soucy

This cult classic, by Canadian (Quebec) author Gaétan Soucy, has been freely adapted by Simon Lavoie and shot in mesmerising black and white, ideal for this haunting and gruesome narrative. The story centres on two children, who, having lived in isolation and under a reign of perverse tyranny from their father, must now experience the outside world following his death. It is only in this new form of interaction that the horrifying reality of their lives becomes apparent to the community and to themselves.

Lean on Pete by Willy Vlautin

Lean on Pete is the story of a lonely boy and his friendship with his failing racehorse, but despite what might seem a saccharine premise, this is not a story of heartwarming triumph and redemption. Instead, the author Willy Vlautin gives his readers a pain-filled exploration of poverty, child neglect, and animal cruelty in American society.

The Big Bad Fox by Benjamin Renner

The Big Bad Fox and Other Tales (Le grand méchant renard et autres contes) sees Benjamin Renner adapt his own comic strips for film. Renner saw great acclaim for his animated feature Ernest & Celestine, which earned a César Award and an Oscar nomination. Now he returns with three more charming stories of animal adventures. Renner’s madcap yet heartwarming style is instantly lovable for both children and their parents.

Submergence by J. M. Ledgard

In Submergence J.M. Ledgard tracks the lives of two lovers, James and Danielle, who after their short affair part ways and follow their own paths. James’ brings him to a cell under jihadi captivity, while Danielle’s leads her to the bottom of the ocean floor in a submersible, to explore the life found there. The film is headed by the award- winning auteur Wim Wenders.

Titus Andronicus by William Shakespeare

Titus Andronicus is perhaps one of Shakespeare’s least known works, having fallen from public favour due to its graphic and distressing violence. Set in the latter days of the Roman Empire, it depicts the cycles of family violence and revenge. In an exciting new adaptation, Bornila Chatterjee’s The Hungry uses Shakespeare’s play as its narrative basis but transplants the story to the opulent setting of an Indian wedding, using the existing text to examine issues such as patriarchy and corruption in Indian society.

The Wife by Meg Wolitzer

Meg Wolitzer’s novel opens with her protagonist, Joan Castleman, sitting next to her husband on a first class flight to Helsinki, where he will receive a highly coveted prize for his writing. In this seemingly idyllic moment, Joan decides to leave her husband. The Wife is a wonderfully paced and witty examination of what brings a couple to breaking point.

The Children Act by Ian McEwan

The second entry on this list for Ian McEwan, this time for the upcoming adaptation of his novel The Children Act. As we have already seen, McEwan’s stories excel at interweaving people’s messy emotions and actions. Each detail is carefully crafted, whether in depicting the ins and outs of family law, (the career of his protagonist Fiona) or in creating a portrait of married life that is starting to crack under pressure.

The Tenant and The Motive by Javier Cercas

Manuel Martín Cuenca’s film The Motive is based on one of two novella published together under the name The Tenant and The Motive, written by one of Spain’s best-known authors, Javier Cercas. The Motive is filled with a Kafkaesque atmosphere of dark irony and unsettling humour, as a struggling writer tries to manipulate the world around him in order to inform his writing.

The Mountain Between Us by Charles Martin

Charles Martin’s disaster-romance The Mountain Between Us is one of those stories ideal for a big cinematic release. Set on the dramatic landscape of High Uintas Wilderness, in the US, two strangers, Dr Ben Bass and Ashley Knox fight to survive after their charter plane crashes. The film gives the audience the breathtaking mountain setting while maintaining the novel’s intense emotional relationship between the two leads.

Zama by Antonio Di Benedetto

First published in 1956, Antonio di Benedetto’s Zama is widely acknowledged as a masterpiece of modern Argentinian and Spanish-language literature. Sixty years later it was finally translated into English. Set in 18th-century Paraguay, Zama follows a servant of the Spanish crown, Don Diego de Zama, as he longs to be moved to greener and less remote pastures. Now, adapted by Argentinian director Lucrecia Martel, the story will be presented in all its dark and luscious detail.

Laissez bronzer les cadavres! by Jean-Patrick Manchette and Jean-Pierre Bastid

Sadly there is not yet any English translation of this cult novel by Jean-Patrick Manchette and Jean-Pierre Bastid, however we have included it in its original French. Manchette is often credited with revitalising the crime novel in France, and this book displays all the energy and off-kilter violence for which he is famous. The story follows a group of thieves who are caught in a day-long battle with the police after they rob a truck full of gold. The film (its translated title is Let the Corpses Tan) is directed by veterans of the Toronto Film Festival, Hélène Cattet and Bruno Forzani.

The Ritual by Adam Nevill

An award-winning horror novel by Adam Nevill, The Ritual follows a group of college friends who reunite to take a hiking trip in the Scandinavian wilderness. When they take an ill-advised shortcut, they stumble upon a derelict house which has been the site of a sinister ritual. Director David Bruckner is an acclaimed horror movie director, and his adaptation of the book ensures it stays clear of stock shocks, and instead, maintains the eeriness and isolation of the story’s setting.

Sadly there were some books that we were not able to include in this list, due to their scarce availability. We will, however, list them here: Calin Peter Netzer’s film Ana, mon amour, is based on the book by Romanian author Cezar Paul-Badescu titled Luminita, mon amour, which explores the rise and fall of a relationship under the shadow of mental illness. Japanese crime writer Mahokaru Numata’s novel Birds Without Names provides the basis for the film of the same name. This thriller centres on Towako a young woman pining for her old boyfriend who nearly beat her to death. When Towako finds out that he has been missing in the eight years since their violent encounter she is drawn into the dark mystery. If you want to discover this author you could look at another of his novels, Nan­core. This story also deals with a protagonist who finds themselves with close ties to a dark crime.

Legendary action film director John Woo's newest film, Manhunt, is based on Kimi yo Fundo no Kawa o Watare by Juko Nishimura, which had previously seen a successful film adaptation in 1976. The story is about Du Qiu, a highly successful lawyer, who is framed for murder directly after his retirement party. Desperate to evade the police and demonstrate his innocence, Qiu's journey is a breathless and fast-paced one, filled with violence, corruption, and elusive secrets. Another of Nishimura’s novels, Lost Souls, Sacred Creatures, is more widely available but is in a very different style and tone, in this case focussing on the heart-warming relationships between humans and animals. As mentioned above, if there are any book-to-film adaptations missing from the list do let me know.

This article was originally written for and published in September 2017.

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